Fertile, exciting music." NEW YORK TIMES

Bandleader, educator, and much in-demand sidema, Billy Drummond cut his teeth apprenticing with jazz greats including Horace Silver, Sonny Rollins, Joe Henderson, and Bobby Hutcherson, to become one of today's most versatile drummers - equally at home in the avant garde as well as hard-swinging bop realms. His duo set at Winter Jazzfest with avant garde pianist, Downbeat Rising Star Kris Davis, was picked by the New York Times as "one of the Best Live Jazz Performances of 2017." And his cult-followed album Dubai (with Chris Potter, Walt Weiskopf and Peter Washington), which was picked as the Number 1 Jazz Album of the Year by the New York Times when it was released, was recently dubbed one of the "50 Crucial Jazz Drumming Recordings" of the past 100 years by Modern Drummer magazine.

"Thrilling (Downbeat), "powerful and highly musical (AllAboutJazz) Drummond's playing, praised by Stanley Crouch as "having the kind of highly refined musical intelligence that Max Roach brought to drumming," has made him "one of the most called for players of his generation," (Fred Bouchard, Downbeat). He has over 300 sideman albums to his credit, as well as three as a bandleader and six as a co-leader - including 2016's Three's Company (Chesky), which made many of the year's Top Ten lists. Acclaimed by Downbeat as "one of the hippest bandleaders now at work," Drummond is looking forward to recording with his New York band, Freedom of Ideas.

Born in Newport News, Virginia, where he grew up listening to his father's extensive jazz record collection, Drummond was leading his own bands from the age of eight, and teaching adults from the age of just 14, before going on to study classical percussion at the Shenandoah Conservatory of Music. In the late 1980s, he was encouraged by Al Foster to move to New York, where he was almost immediately recruited to the young band Out of the Blue (OTB), recording Spiral Staircase for Blue Note Records, before becoming a member of Horace Silver's Sextet, subsequently starting life-long associations with Buster Williams and Bobby Hutcherson, and then joining J J Johnson's band, followed by a three-year stint touring with Sonny Rollins.

During his three-decades long career, Drummond has performed and recorded with a veritable who's who of jazz, including Horace Silver, Joe Henderson, Bobby Hutcherson, Buster Williams, Steve Kuhn, JJ Johnson, Sonny Rollins, Charles Tolliver, Nat Adderley, Eddie Henderson, James Moody, Sheila Jordan, Andrew Hill, Ron Carter, Carla Bley, Eddie Gomez, Larry Willis, Hank Jones, Freddie Hubbard, Lee Konitz, Stanley Cowell, Archie Shepp, Joe Lovano, Javon Jackson, Chris Potter, Eric Reed, Ralph Moore, Vincent Herring, Franco Ambrosetti (Italy), Karin Krog (Norway), Sadao Wantanabe (Japan), Toots Theilmans (Belgium), Barney Wilen (France), Laurent DeWilde (France), Jan Lundgren (Sweden), and Michel LeGrand (France).

Also a highly respected educator, juggling a busy touring schedule with his duties as Professor of Jazz Drums at the Juilliard School of Music and NYU in New York, and giving private lessons and workshops at home and abroad, Drummond has taught some of this generation's best young drummers who have gone on to be highly successful. One of the things I love about teaching is having that one student who really gets it and to see yourself in them," says Drummond. "I also learn so much about myself from teaching others – not just from a musician standpoint but who I am as a person."

"I consider myself very fortunate to have come up playing with some of the innovators of jazz who, in many instances, helped shaped the way this music is and will always be played," says Drummond. "Priceless experience for a young person learning how to be a musician. They taught me how to be a professional - to know the material, to be on time and, most of all, to play from your heart."